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You & Me
by The Walkmen

The Walkmen reviews
Critic Score
Metascore: 79 Metascore out of 100
User Score  
9.2 out of 10
based on 25 reviews
Read critic reviews
How did we calculate this?
based on 35 votes
Read user comments
Rate this album

The sales of the digital version of the band's latest album will be donated to Memorial Sloan-Kettering Cancer Center and the Joy Fund.

LABEL: Gigantic
RELEASE DATE: 19 August 2008
DISCS: 1 disc
GENRE(S): Rock, Indie

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100
The Onion (A.V. Club)
In 'The Blue Route,' it hits home like a 30th birthday--and as the standout 'In The New Year' points out, realizing "It's all over anyhow" can be invigorating, a way of readying oneself for the next, far more interesting chapter.
Read Full Review
100
Delusions of Adequacy
The album’s majestic brilliance reveals itself through subtle perfections that appear with repeated listens.
Read Full Review
100
The Guardian
Intimate, intense and beautiful, You & Me demands repeat plays and the Walkmen deserve a new respect.
Read Full Review
89
Austin Chronicle
The Walkmen have solidified their place among our memories.
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87
cokemachineglow
This variation in the songcraft amid absolute adherence to a predetermined aesthetic attests to the band’s ability to craft a well-paced, engaging arc, an album as much attuned to its coherency as it is to being a springboard for a few spectacular singles.
Read Full Review
86
Filter
You & Me has a panache that hearkens to an earlier era, acting like a rich veneer. Layers of energy, intimacy and meaning rise to the surgace to become a deeper part of you and me with each and every listen. [Fall 2008, p.91]
85
Pitchfork
You & Me isn't as hard or immediate as the band's earlier records, but that's not a complaint; Its sound is coy, and invites you to spend time with it.
Read Full Review
81
Paste Magazine
Melodic post-punk gives way to a wider sonic landscape, yielding to muted tones that dovetail comfortably with Hamilton Leithauser’s now-audible vocals.
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80
All Music Guide
You & Me delves deeply into the evocative ballads that have made the band fascinating since "Everyone Who Pretended to Like Me Is Gone."
Read Full Review
80
Billboard
It's muted, but intoxicating stuff.
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80
Boston Globe
Much has been made of Leithauser's voice, which often feels choked, but on You & Me, could one imagine a more perfect instrument?
Read Full Review
80
Drowned In Sound
It’s not a showy record, but one that when peeled apart reveals itself to be a darker and more engaging album than on first listen. But not only that, as it might also be the best thing they’ve ever done.
Read Full Review
80
Spin
The hooks are hidden in dense atmospherics, but after a few late-night sessions, these grand, moody songs will reveal secrets worth waiting up for. [Oct 2008, p.122]
Read Full Review
80
New York Magazine
It rewards that attention with small pleasures: guitar and organ playing off each other’s reverb, bass and drum dancing in and out of step, horns and vocals collapsing into a single bellow. In essence, it offers that luxuriant buzz that made rock and roll one of the great narcotics of the last half-century.
Read Full Review
80
Q Magazine
This fourth album is all the better for its subdued tone, mining its own strain of sozzled melancholia via underwater guitars, waltzing rhythms and lyrics steeped in wistful regret. [Nov 2008, p.123]
70
Tiny Mix Tapes
It’s impossible to fully return all the way home again, but You & Me is the next best thing.
Read Full Review
70
PopMatters
[Leithauser’s] voice has filled out, like an adolescent discovering girls and his true sound at the same time. But too often on You & Me the rest of the group sounds pedestrian, cautiously still and unambitiously sticking to what they know so well.
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70
Prefix Magazine
The album is another solid (if somewhat too long) set by a band firmly in control of where it is at and what it’s doing.
Read Full Review
70
Alternative Press
You & Me is a consolidation of strengths, intensity and pathos with enough '60s echo-chamber reverb to singe synapses. [Oct 2008, p.153]
70
Under The Radar
Most of these tracks should be outright downers, but the contrasts between sorrow, hope, loneliness, and independence strike just the right balance. [Fall 2008, p.85]
60
Dusted Magazine
There’s no question that when they get it right, the Walkmen are captivating. But with songs like 'Long Time Ahead of Us' and 'New Country,' the only thing keeping your attention is Hamilton Leithauser’s slurred laments.
Read Full Review
60
Rolling Stone
The songwriting has never been stronger or more eclectic.
Read Full Review
60
NOW Magazine
This album feels firmly in the gutter, and that’s a positive for slurring Dylan-phile Hamilton Leithauser, who moans and wails throughout, ruminating about lost friends and lovers while the guitars pour reverb-drenched notes over his sepia moments.
Read Full Review
50
Slant Magazine
You & Me is a thoroughly Walkmen-esque album, however tautological it may be to say so.
Read Full Review
40
Uncut
Guitars still sound like they were recorded in an igloo, while the singer's Dylan obsession only really pays off on woozy waltz 'Red Moon,' assisted by Matt Barrick's skeletal drum accompaniment. [Nov 2008, p.128]

What Our Users Said

Vote Now! The average user rating for this album is 9.2 (out of 10) based on 35 User Votes
Note: User votes are NOT included in the Metascore calculation.

anthony D gave it a9:
Definitely The Walkmen's most full-bodied album and certainly their deepest. This is one of the most romantic albums crafted in recent memory. If I hear a song more sincere than "New Country" then I will have complete faith in where music is heading.

Eric C. gave it a9:
Though widely labeled as a much quieter and subtle album than fans of the Walkmen might be used to, this album is still immediately stunning. I'm not a huge Walkmen fan, but this cd just knocked me out. They may not be the most consisten band, but when they're at their best, well, they can stand comfortably next to the Arcade Fire or Shins or whichever other indie mega group you can think of. And they are at their best here, possibly at the best they've ever been.

Seth C gave it a10:
Their best record from start to finish. The rest of their records are also great, but this is the one that people twenty years from now will go to first.

Scott M gave it a4:
I really wanted to like this album because a buddy of mine recommended it, but after 5 or 6 listens I just don't get what the hype is all about. His Dylanesque voice annoys me and I'm a Dylan fan! There are a few songs that are decent but not enough for me to listen to it again.

Joel W. gave it a9:
Its fantastic. The lead sounds like Bob Dylan. The music is warm, relaxing and moody. Perhaps simply, comfortably atmospheric. It's good listening, and after the albums 12th subsequent whirl round the stereo, I'm still paying it due attention.

Scott C. gave it a9:
If you like this it would be awesome if you'd check out the podcasts I've started doing. We focus on bands like Walkmen... livingears. blogspot. com

Gary M. gave it a10:
This is their most accessible album to date, despite not having any song that sounds like "The Rat" but every song, from start to finish, is solid, and the songwriting, production, lyrics, and singing is better than any Walkmen album that came before and anything else I've heard this year or even in the past few years. I saw them live twice in L.A. and both nights were unbelievable. They seemed happier and friendlier than they did in shows I saw in the past.

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