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The State vs. Radric Davis
Generally favorable reviews
Based on 11 critic reviews
How did we calculate this?
Based on 6 votes
Read user comments
Rate this album >
Album Info
Label: Asylum
Release Date: 08 December 2009
Discs: 1 disc
Genre(s): Rap
Summary
The second album for the Alabama-born rapper features such guest artists as Lil Wayne, Jadakiss, Piles, Rick Ross, Soulja Boy Tell 'Em, and Usher.
Also On The Web: Official Artist Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
NOW Magazine
Mix this lovable simplicity with brilliant guest turns by Cam’ron, Lil Wayne and Rick Ross, amazing production by the Runners and Bangladesh, and Gucci’s exhilarating turns of phrase, blunt humour and excess charisma and you’ve got rap’s album of the year.
Read Full Review >All Music Guide
At the end of the day, The State vs. Radric Davis delivers the full spectrum of Gucci Mane, showing both the cash and yellow diamond-loving side, as well as his more reflective (or at least more self-aware) side.
Read Full Review >Pitchfork
Mostly, though, the LP does a good job keeping Gucci's culty selling points intact on a larger stage.
Read Full Review >cokemachineglow
It is High Profile rap music. He’s buttoned up here, ready for the cameras, and on occasion, things work ecstatically.
Read Full Review >Spin
Gucci is not always so reflective; sometimes he's as broad and bracing as a ball-peen hammer....But more often than not, the prolific MC (in 2009, he released more than 100 songs on mix tapes) limits his id, and emphasizes a surprisingly gripping superego. Case closed.
Read Full Review >Rolling Stone
The star is Gucci, with his deep grab bag of rhymes that aim at funny bones ("AK hit your dog, and you can't bring Old Yeller back"). It's a winning combination: a heavy ego and a light touch.
Read Full Review >Billboard.com
Like the singles "Spotlight" and "Wasted," the songs on the album that jump out most aren't the ones with creepy rhythms, but those with Gucci Mane's witty lyrical delivery.
Read Full Review >Prefix Magazine
To be certain, the push and pull is lost through most of The State vs. Radric Davis, replaced by a straddling of the line between commercial and street rap.
Read Full Review >The Onion (A.V. Club)
He’s clearly made The State to a template, and it suffers as a result, particularly when he blatantly courts radio on the unimaginative, lifeless likes of “Sex In Crazy Places” and the Usher-assisted “Spotlight."
Read Full Review >The Guardian
His mumbling drawl is both obstacle and point of fascination; you're left cupping your ear trying to decipher his flow. You're engaged, but sadly everything else about the album is disappointing.
Read Full Review >New Musical Express (NME)
Radric Davis is deeply flawed, and ultimately Gucci has committed the worst crime in rap: he’s boring.
Read Full Review >What Our Users Said
The average user rating for this album is 7.5 (out of 10) based on 6 User Votes
Note: User votes are NOT included in the Metascore calculation.
