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Townes

Universal acclaim
Based on 16 critic reviews
How did we calculate this?
Based on 3 votes
Read user comments
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Album Info
Label: New West
Release Date: 12 May 2009
Discs: 1 disc
Genre(s): Country, Folk, Rock
Summary
Steve Earle covers songs by the late Townes Van Zandt for his latest album.
Also By This Artist: Jerusalem The Revolution Starts Now Transcendental Blues Washington Square Serenade
Also On The Web: Official Artist Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Entertainment Weekly
Earle, Townes Van Zandt's foremost disciple, gives 15 favorites the kind of carefully considered settings they deserve.
Read Full Review >PopMatters
One of the consistent strong suits of Earle’s albums has been the duets and backing vocals, and this album is no different, with enriching guest appearances by Tom Morello, his wife Allison Moorer and--a first--his son Justin Townes Earle on the top-rate track 'Mr. Mudd and Mr. Gold.'
Read Full Review >Austin Chronicle
Townes is unparalleled in its versions of Van Zandt's songs, Earle bringing all the emotional complexity of their association to bear in tones of both joy and regret.
Read Full Review >The Onion (A.V. Club)
Townes isn’t so much a straightforward covers album as a trip inside Steve Earle’s experience of listening to, befriending, and trying to be Townes Van Zandt. As such, it may be the most personal album Earle has ever recorded.
Read Full Review >All Music Guide
The same anything-goes-attitude, the adherence to all kinds of folk music, whether it's from across oceans, terrains, or alleyways, whether its roots are rural or urban, permeates this recording, making it an Earle record most of all; and that is about as fitting a tribute as there is to Van Zandt.
Read Full Review >Billboard
Every one of these 15 tunes is a living, breathing creature, from the haunting, modal-tinged blues-waltz (with cello) of 'Rake' to the jaunty fingerpicking and mouthy dialogue of 'Mr. Mudd and Mr. Gold' (a duet featuring son Justin Townes Earle) to the eternally elegant Tex-Mex anthem 'Pancho and Lefty.'
Read Full Review >Mojo
The overall effect is more inline with how Townes made his early albums. [Jun 2009, p.96]
Q Magazine
Earle believes this is one of his best albums; he's not wrong. [Jun 2009, p.132]
Hartford Courant
The soul of Van Zandt is evident on all of these songs--even in the distorted voice effect on 'Lungs'--but Earle best captures his spirit on 'Colorado Girl,' a high lonesome song with rich acoustic guitar chords and wistful vocals.
Read Full Review >Spin
While Earle's brawny attack might seem ill-suited to Van Zandt's wistful angst, he does his idol justice on this vibrant covers set, delivering supersonic bluegrass and starry-eyed ballads with the same thoughtful finesse.
Read Full Review >Uncut
Earle also seems acutely aware that it’s impossible to forage deeper under the skin of these songs than Van Zandt did himself. But he’s able to summon the same air of desolation and disquiet by other means.
Read Full Review >The Phoenix
Townes does what a tribute album should do: Earle evokes the essence of the honoree without giving up a smidgen of his own individuality.
Read Full Review >Rolling Stone
His voice lacks Van Zandt's sweet frailty, but it brings gruff tenderness to classics like 'To Live Is to Fly.'
Read Full Review >Under The Radar
Earle's weathered delivery may differ considerably from the plaintive, tender cocal of Van Zandt, but the new versions of 'Brand New Companion,' 'Colorado Girl,' and 'Where I Lead Me' in particular, are glorious. [Summer 2009, p.74]
Los Angeles Times
While Earle's gruff voice is endearingly effective on his own tales of moral outrage and social empathy, it tends to imbue Van Zandt's deftly detailed songs with an unintentionally dour undercurrent.
Read Full Review >Pitchfork
Townes, though well intended, shows neither of these formidable artists in his best light.
Read Full Review >What Our Users Said
The average user rating for this album is 8.3 (out of 10) based on 3 User Votes
Note: User votes are NOT included in the Metascore calculation.
Vaughn A gave it a6:
It's an okay cover record, but go buy Townes original stuff instead. After 10 years of pissing in the wind with politics, acting and telling us how much in love he is, I've come to the conclusion the Steve Earle has "jumped the shark". This does nothing to change my mind.
