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Dark Night Of The Soul

EMAILPRINTby Danger Mouse And Sparklehorse

Danger Mouse And Sparklehorse reviews
74
8.1 User Score:

Generally favorable reviews

Based on 27 critic reviews
How did we calculate this?

Based on 17 votes
Read user comments
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Album Info

Label: Capitol

Release Date: 13 July 2010

Discs: 1 disc

Genre(s): Rock, Indie

Summary

In 2009, due to legal concerns, the album was shelved and released only as a blank CD-R. Originally, the album was to be released with a book of photographs by director David Lynch and vocals by such artists as The Flaming Lips, Super Furry Animals' Gruff Rhys, Jason Lytle, the Strokes' Julian Casablancas, Frank Black, Iggy Pop, the Shins' James Mercer, Suzanne Vega, Vic Chestnut, The Cardigans' Nina Persson, and David Lynch.

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

90

PopMatters

Few contemporary pop albums have spoken to the human condition so eloquently, and given the listener so much pleasure in the process, than Dark Night of the Soul.

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90

Clash Music

Amongst the army of incredible contributors, all unified by melancholic production drawn from the ether of another age, David Lynch’s star shimmers brightest.

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90

Paste Magazine

The controversy nearly obscured the resounding triumph of the album itself; written and produced by Burton and Linkous, it’s a breathtaking set of atmospheric ballads (plus a few rockers) that explore cosmic concerns, from the self-destructive trap of revenge to the possibility of spiritual renewal.

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89

Lost At Sea

It's a shame if Dark Night of the Soul ends up relegated to a cult souvenir; it's truly exceptional as music.

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80

Slant Magazine

Albums like this are a reminder that we've perhaps lost something in the digital age. If it's true that we're the ones fumbling in the dark with rain falling over our heads, Dark Night is, at the very least, one bright ray of hope.

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80

BBC Music

It’s a complex, winding late-night soundtrack that doesn’t move too fast, but never stops to question the judgement of its own unique outsider logic.

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80

The Guardian

Indeed, it's both comforting and sad to hear the audible fun involved in making this record.

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80

Boston Globe

As much as Dark Night of the Soul hinges on its creators’ vision, the album comes to life through its collaborators.

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80

NOW Magazine

Linkous’s vocals make only a few brief appearances, but so much of his personality is in the songs that it feels almost like a tribute album he had a hand in recording. A proper coda to a storied, tragic career.

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80

Sputnikmusic

And through the tragedy, what remains, this testament, is a spiraling exercise in gorgeous music, a record knee deep in that subtle legend, but ankle up a collection of tunes as haunting and surreal as the personas and events that surrounded it.

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80

Drowned In Sound

Often collaborative projects end up being an average of its participants, merging in the middle in a grey mulch. Dark Night of the Soul escapes all of that, Sparklehorse bringing the songwriting genius, and Danger Mouse the production, and the details - the watery sounds, the effects, the atmosphere.

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80

Alternative Press

It's a shame it's a one-off, because Dark Night's trippy, psychedelic tunes are a true treat for your ears. [Aug 2010, p.146]

75

The Phoenix

Every song here showcases Linkus's gift for pinpointing little benchmarks in hopelessness with brittle gestures of melody and ambiance. It's also another reminder of Danger Mouse's ability to whittle lean pop shivs from gnarly splinters.

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75

Los Angeles Times

There's a hesitating beauty to the nightmares explored on "Dark Night," from the keyboard symphonies of "Revenge," featuring a calmly paranoid vocal take from the Flaming Lips' Wayne Coyne, to the carnival-like haunt of "Everytime I'm with You," led by a leery Jason Lytle (Grandaddy).

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74

Pitchfork

Dark Night is a well-sequenced and unique album that ingeniously balances its contributors' strengths with the overall theme of the work--self-examination, often under stark circumstances, in the interest of understanding one's own existence.

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70

Rolling Stone

It's engrossing and organic in a way other all-star drive-by projects rarely are.

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70

No Ripcord

As it stands, there is a lot to like here and a lot to digest. One advantage to having so many vocalists is that each song can be separated and dealt with accordingly, giving the record the sort of film soundtrack feel I think the principle authors were aiming for. Other than that, this unburdens Sparklehorse fans slightly of the wait between albums by providing a mainly interesting and, at times, genuinely moving distraction.

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70

Dot Music

For the most part, it sounds like the most joyous exploration of death and madness since, perhaps, ‘They're Coming To Take Me Away Ha-Haaa!'

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70

musicOMH.com

Dark Night Of The Soul certainly has its moments, but in spite of the sequencing it sounds like a collection of songs rather than a singular body of work.

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70

All Music Guide

Despite the delay, Dark Night of the Soul shows what a talent and what a generous collaborator we lost in Mark Linkous.

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67

The Onion (A.V. Club)

Dark Night is a vocal showcase: Lynch, James Mercer of The Shins and Broken Bells, The Flaming Lips’ Wayne Coyne, Iggy Pop, and several more stamp the tracks with appropriately brooding vocals. Only a few really stick, and not always in a good way.

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60

The New York Times

Here were two artists, anxious and passionate, who knew how to talk to each other. That connection is missing from much of the rest of this collection, an exercise in Rolodex-flexing and loose oversight.

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60

Q Magazine

For all the celebrity firepower, however, Dark Night Of The Soul never quite adds up to more than a handful of great moments. [Aug 2009, p.111]

60

Uncut

Dark Night Of The Soul will probably be remembered more for the stunt with the blank CD-Rs than for the music intended to be burnt onto them.

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50

Under The Radar

Most of the songs play like invertebrate retreads of Flaming Lips and Grandaddy-styled pomp. [Summer 2009, p.65]

50

Dusted Magazine

It’s a project with too many authors and not enough personality, too many ideas and not enough meaning.

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50

Chicago Tribune

Unfortunately, the ambitious concept proves too unwieldy to work as a consistent album.

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What Our Users Said

The average user rating for this album is 8.1 (out of 10) based on 17 User Votes

Note: User votes are NOT included in the Metascore calculation.

[Anonymous] gave it a6:
Generally good songs with little lasting power.

V T gave it a9:
Quite unique and just great!

danny s. gave it a9:
This is a beautiful combination of efforts grounded by Lynch, SH & DM... exactly what you would hope for from this crew.

Kory M. gave it a10:
Simply, one of the greatest albums I have ever heard. It will be a d@mn shame if this piece of art never sees the light of day. NPR has had a stream up for at least a month...listen while you can.

Felipe R. gave it a10:
Awesome album!

Slobodan R. gave it a9:
Beautiful.

Read more user comments >

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